I was in a second-hand
bookshop last year, and my friend picked up this book and asked if I'd read it. I hadn't, she recommended it wholeheartedly. I sometimes
find historical fiction a bit dull to read, however, the cover captured my attention, my friend recommended it and the blurb on the back cover sounded interesting enough; for £1.00 I wasn’t going to argue!
“Oceania, 1879.
For
two years the Peacocks, a determined family of settlers, have struggled to make
a remote volcanic island their home. At last, a ship appears. The six Pacific
Islanders on board have travelled over eight hundred miles in search of new
horizons.
Hopes are high, until a vulnerable boy vanishes.
In their search for the lost child, settlers and newcomers together uncover far
more than they were looking for. The island's secrets force young Lizzie
Peacock to question her deepest convictions, and slowly this tiny, fragile
community begins to fracture ...”
Lydia Syson is known for her young adult fiction which explore
less familiar historical events such as the 1871 Paris Commune in “Liberty’s
Fire” and Battle of Britain Polish pilots in “That Burning Summer.” It is said that you should write about what
you know, and for her debut adult novel, she has explored the history of her
husband’s family, for a remarkable tale built on a solid foundation of facts
and real events, showing the lengths a family will go to for survival.
Mr Joseph Peacock has decided to move his family from New
Zealand to a remote uninhabited Pacific Island, hundreds of miles away from any
other human civilisation. At the start of the novel there are six children,
Ada, Albert, Billy, Queenie, Gussy and a baby, Joseph, who is born on the
island. Albert is expected to be a big, strong man who can help his father, but
instead he is a vulnerable child who fears his father and his temper. Fifteen
year-old Lizzie can fulfil many of the demands that Albert can not face, and
she appears to do no wrong in her father’s eyes.
“This
island will change everything for the family. ... Land. That’s the important
things. That’s what a man needs to survive. To take his place in history. To
keep his name. The land will be our future. Your future.”
Since moving to the island, exhaustion and hunger has set
in. The captain who brought them here has sailed away, promising that he will
return in three months. After he leaves, they realise that all the provisions
he left them with were rotten and it dawns on them they will never see him
again. They will have to rely on foraging and tending the land to grow food,
otherwise they will starve to death. This is not the romantic Utopia that
Joseph Peacock had dreamt of as he led his family to this small volcanic
island. Their adventure is turning into a nightmare as each day passes and the
island’s dark secrets are slowly emerging.
As the family’s hope of ever seeing other human life wanes,
some Polynesian Islanders arrive to assist with clearing the land and planting
food, a commodity now in scarce supply. They have been travelling for over
eight hundred miles in search of work and new opportunities and they relish the
challenges ahead. Perhaps these outsiders will be the answer to the Peacock’s
prayers to finally turn the island into a paradise the family can enjoy.
Lizzie thinks the arrival of the kanakas (native workers)
will be an opportunity to start all over again, and their hard work does begin
to tame the harsh landscape into something more manageable. Of the new
arrivals, Solomona is a teacher and pastor, whilst his brother Kalala dreams
that they will one day return home and their family will be proud of their
achievements. Kalala, is unsettled by Joseph’s quick temper, and when Albert disappears,
a spectacular turn of events takes place to fracture this fragile community, as
feelings of mistrust are centred on the newcomers.
“Lizzie
stops trusting herself. She begins to doubt the island. Its noises have not
changed but now she is alone in the forest Lizzie hears them freshly. Birds
whose unremarkable cries have kept her company on hunting expeditions for
nearly two years squawk like frightened children among the fleshy leaves of
mouse-hole trees, whose branches meet high above her head. She catches
something of Albert’s voice; misrecognition pierces her just below the ribs.
The air itself feels violent, as though the island is gathering itself for
something. She imagines it breathing, heaving, maybe shifting.”
Lizzie is remarkable character who shares the narrative
with Kalala in a portrait of family life, cast adrift to survive this
unforgiving landscape. The duel perspective is also combined with a “before and
now” narrative, so we embark with the family on their journey to the island and
realise that they endured a great deal before even setting foot on the island.