I really enjoyed David Mitchell’s first novel, Ghostwritten. I was confused by his third novel, Cloud Atlas (although after reading the book and then watching the film, everything suddenly slipped into place in my addled brain.)
When reading Slade House, I realised this was a writer who has the ability to write about anything; it was probably one of the most frightening/disturbing novels I’d read.
So when I came across The Thousand Autumns of Jacob de Zoet in a charity shop for 50p, it was a bargain I couldn’t resist; however it never quite reached the top of my TBR pile. Thanks to this challenge, it's finally found a reason to become a priority read.
“In your hands is a place like no
other: a tiny, man-made island in the bay of Nagasaki, for two hundred years
the sole gateway between Japan and the west. Here, in the dying days of the 18th
century, a young Dutch clerk arrives to make his fortune. Instead he loses his
heart.
Step onto the streets of Dejima
and mingle with schemeing traders, spies, interpreters, servants and concubines
as two cultures converge. In a tale of integrity and corruption, passion and
power, the key is control – of riches and minds, and over death itself.”
Mainly set in 1799 & 1800, The Thousand Autumns of Jacob de Zoet is a character-driven, historical tale, that unfolds on the isolated Dutch trading post of Dejima in Japan. This small, man-made island in Nagasaki Bay, served as a window between the East and West amidst Japan’s strict isolation policy whereby Japan only traded with the Dutch. The Japanese were forbidden to mix with the Dutch and any attempts to break the rules resulted in dire consequences.
In this fictious tale, David Mitchell explores
culture clashes, love, morality and ambition through the eyes of Jacob de Zoet,
a young Dutch clerk who has been sent to Dejima to uncover corruption in the
trading logs of the East India Company.
Jacob’s life takes an
unexpected turn when he meets Orito Aibagawa and becomes infatuated with her.
As Jacob struggles to come to terms with the complex nature of Japanese
society, the novel reveals far bigger tensions between Eastern and Western
values.
The book is beautifully poetic, however, I did find it a taxing read. There was an eloquence in the writing, and the descriptive nature of the book created vivid images of a time and place in history, but it made trying to keep up with conversations extraordinarily difficult. This book is filled with numerous characters. All have a role to play, but there are too many of them. Fortunately there is a list of characters to be found at the end of the book, so you can remind yourself of the connections as you read.






