Thursday, 20 June 2019

Christian Dior: Designer of Dreams (Victoria and Albert Museum - London)

I love fashion in the creative sense of the word. I love the history of fashion. I enjoy looking at timeless pieces and seeing the creativity and attention to detail. I also enjoy making my own clothing…things unique to me. There is a beauty and wonderment to carefully constructed garments that does not exist in the overly mass-produced tat that we find on the high street. That’s probably why you may find me at a fashion exhibition, but you’re not likely to entice me out of the house for a spot of retail therapy.

The V&A is currently exhibiting over 200 Haute Couture garments under the title Christian Dior: Designer of Dreams. Tickets for the exhibition have been hard to come by, and it is so popular that the V&A has extended the run until 1st September 2019 and has already sold out (this from its original closing date in July!) You cannot begin to imagine how impatiently I have been counting the days to see this celebratory exhibit of Dior’s couture collection.

The exhibition starts with Dior’s famous Bar Suit “The New Look”, ten of his most famous looks during the period 1947-1957 in “The Dior Line” and the influential role the romanticism of Britain played to his work in “Dior in Britain.” In these first few rooms we get a sense of the former Hollywood glamour of the 40’s and 50’s, and sight of Princess Margaret’s gown that she wore for her 21st birthday portrait.

The house of Dior has had many artistic directors, and so the displays start to feature works by both Dior and his successors, such as Yves St Laurent, John Galliano and Chiuri. What more fitting way to start our travels through these various works, than by visiting different countries. The next section featured pieces which were inspired by trips to places including Egypt, Mexico and Japan.   

From the dark space of the travel section, the display opens up into a magical, romantic garden of wonderment. “The Garden Room” is a delight for the senses. Paper roses, wisteria, clematis and lily of the valley tumble from the ceiling creating an exquisite backdrop for a number of dresses you’d be happy to take afternoon tea in!

After the magic of the fairy-tale garden we are transported down a vibrant colourful corridor of accessories, shoes and miniature dresses, all in colour-coded sections. Opposite this “Diormama” on the other wall are magazine covers of Dior’s work from 1947 to today.

Just when you think you have seen it all, you are whisked into “The Ballroom” a room filled with ball gowns and dresses for a star-studded red carpet. It is a room full of dreams celebrating the very best that glamour can offer. From the extravagant Galliano creations, to the gold gowns Charlize Theron wore in the J’adore perfume adverts, this room was one where you had to sit down to take it all in. No only were the gowns theatrical, but the clever use of mood lighting changed this room from a brightly lit room with a Michelangelo style ceiling, to a room filled with glittering stars which shimmered from the ceiling and down the walls. The curator Oriole Cullen and set designer Nathalie Crinière certainly know how to steal someone’s breath away.

This must be the best exhibition of a fashion designers work that I have seen. Not only were you allowed to take photographs, but the majority of the collection was not housed behind glass, this meant you could actually take photographs of the dresses rather than reflections of yourself…although there were areas where mirrors were used and you sometimes got caught out! Every twist and turn of the gallery meant that you were transported to a new venue that was even more impressive than the last. The exhibit flowed beautifully, and even though it was busy, there was still the opportunity to take your time and look at the creations that held the most interest. This was a beautiful experience, and one not to be missed!

For ticket information visit

Tuesday, 18 June 2019

I've ended up going AWOL yet again!!

I know it's been a wee while since I posted anything (again!) but after my recent mammoth theatre session I realised I didn't actually have any new plays booked until August. I's appalling behaviour, but seeing as I am currently not working (and I'm avoiding the other half asking me if I've actually bothered to look for a job to pay for all my trips...although depressingly it seems something is on the horizon) I'll be watching a couple of NT Lives instead of running down to London and this includes Andrew Scott in Noel Coward's Present Laughter which I'm really looking forward to.

Gerrard the grouch
 As I have a bit of spare time, I figured it was time to knuckle down and finish the Introduction to Photography Course I started about two years ago. I passed with 99.44%...which means I now know which way up to hold the camera. I've now moved onto a portrait photography course which has already stalled at the introduction stage. Whilst I'm not that interested in taking pictures of people, I do want to get my animal/wildlife photography up to scratch. Sadly Gerrard is only compliant when asleep, so I'm going to have to find a better subject matter to work with. (Even the local buzzard is more patient than G, which is a shame because he's actually a pretty, albeit grumpy, cat.)

Some of my nature photographs have been transformed into abstract prints which you can now find on my new ArtWow site,

and of course there's still the Redbubble site which has a nice new shoe design print which was inspired following a recent trip to London.


Whilst I was in London I watched the play Rosmersholm again, so I suppose I could have a written about my experiences of watching it second time around, but frankly I wrote an epic post last time, so you can just re-read that if you want to know the history of the play.

I will say  it was interesting watching for a second time...there were a few lines where my friend and I just looked at each other...both of us thinking how art can imitate life. When you watch a show for the first time everything comes as a surprise, even if you do know the story, but on a second visit you can concentrate more on what is being said as you already know what to expect visually. It is frightening how something written so long ago can still feel so politically current in 2019.

We managed to grab a quick chat with Tom afterwards which is always welcome. If you read the previous Rosmersholm blog you'll know I brought the subject of the 1973 cast up with him, which was a bit stupid of me as I could only remember one cast member who I knew his dad had worked with. This time however, I took my old copy of Rosmersholm with me so it was actually easier to let him know what on earth I was waffling on about!

So...until I head back to the theatre, the next few blogs will centre around exhibits, tea's I have tasted and reviewed but been too idle to write up, and maybe I'll even share my thoughts on some of the interesting books that I've been reading recently!

Let's start with the Christain Dior exhibition that's currently showing in London....