Troubled Blood – Robert Galbraith (JK Rowling)

2020, the year of constant surprises. I’ve never been a huge JK Rowling fan (I mean her books, not the person.  I’ve never met the woman so I can’t comment on her personally, unlike the Twitter dunderheads who like to misconstrue everything they read.) I have to give her credit for her vivid imagination and her wealth of knowledge and the amount of research she must undertake before putting pen to paper, but for me, her writing is prone to too much repetition which detracts from what could be an excellent read.

So why do I read the Strike books if I’m not a fan of her writing? Easy. Tom Burke plays the lead in the TV adaptations and with it he has brought an interesting, complex character to life, one full of charm, charisma, and sparkle. I’ve become invested in the character; I want to know what the next instalment is about and what the future holds for Strike. So, for me to keep up with Strike, and to not feel like I’m wasting any of my day, I turned to Audible books for both Lethal White and Troubled Blood. This way I could go for a walk or do chores and “read” at the same time.

As the orotund voice of Robert Glenister began permeating my ears, I realised that the format of this book was to be the same as the others. Each chapter to be preceded by a quotation…this time it was Edmund Spenser’s The Faerie Queen. I hit pause, puzzled. It rang a distant bell in my memory and so I trotted over to the bookcase and pulled out my battered Norton’s Anthology of English Literature. Ah yes…there it was…battered and having obviously seen all of its 25 years of service, there was the page marker for Edmund Spencer, and more importantly the Cantos of The Fairey Queen. Forgetting I was supposed to be listening to Strikes adventures, I started pouring over the old verses and the associated notes I’d scribbled throughout the margins. 

Chekov or Hemingway?

Anyone familiar with Chekov will undoubtedly remember his principal “If in Act One you have a pistol hanging on the wall, then it must fire in the last act.” As we enter Strikes world for the fifth time, we find him in Cornwall, visiting his terminally ill aunt, and catching up with his oldest friend Dave Polworth in the pub. The question of marriage arises, and in the defence of marriage, Polworth quotes from another Russian literary giant, Tolstoy’s Anna Karenina.  With Strike coming back to his childhood “home” Cornwall and all the people he loved there, Robin dealing with a long and acrimonious divorce, and Strike’s ex Charlotte causing him no end of emotional reckoning, surely the poignant quote must have a bearing by the end of the novel. Or is JKR following Hemingway, whereby inconsequential details are just part of the plot?

In a departure for Strike and Robin, they take on the 40-year-old cold case of a doctor who mysteriously vanished one night. The client gives Strike a year to solve the case, and what a year it will be for both Cormoran and Robin. Many of the original witnesses for the case are dead, and for those still alive, how accurate will their memory of events be? Looking through the notes of the original chief detective on the case, it was apparent he was suffering with his mental health. Were his notes a sign of madness, or was there something more to his readings of tarot and astrological charts?