The Violence Series @ Theatr Clwyd, Mold


The Violence Series is a set of three dystopian style drama’s, set Orwellian style in a world that is recognisably ours, but one which we have not quite attained. They are not physically frightening plays, more a bleak window into the future, which is often more disturbing than watching a fight break out when you begin to realise the future portrayed is not that far off.

The plays were commissioned by The Other Room, an award-winning pub-theatre in Cardiff. The Other Room is renowned for making drama that is both distinctive and visionary; drama that makes you think about the consequences long after you’ve gone home. Each of the three plays are profoundly different, but they all explore the divisions in society and look at the darker side of humanity.



American Nightmare by Matthew Bulgo

Ahhhh, the American Dream. The belief that everyone has the opportunity to pursue their own happiness. It doesn’t matter where you are born, what class of society you are in, or what religion you follow, you can achieve whatever level of success you want. Success is possible to anyone through hard work and sacrifice, taking risks rather than relying on luck to get you to your goal.

Sounds ideal…but what happens when the distance between the American reality and the American Dream becomes an enormous yawning cavern? What happens when the American Dream becomes an American Nightmare? Just how far are you willing to go to keep pursuing your Dream?

How to Kill a Narcissist and Killing Narcissism by J H Simon (Kindle)


“The Penny Drops.The fact that you’re reading this book means you’re onto something. Maybe a particular event burst the bubble and a small gap opened up as a result. A gap in what, you’re not sure, but you felt it. It happened when a significant person in your life went that little bit too far, and you finally said to yourself: “This is not normal. Why am I tolerating this crap?””

What makes you start questioning the friendship/relationship you’re in?

Is it one-sided? When you try to express an opinion is it always side-lined as stupid or irrelevant? Does your friend twist things so that they become the focal point again? Are they able to manipulate you by putting up so many arguments or obstacles that it’s pointless carrying on? Do you get tired of walking on eggshells around the person because you know that one slip of the tongue will cause an unnecessary emotive reaction? Do they try to supress you from being yourself…to make you feel inferior? Does this person always have a drama unfolding around them that they just have to share with everybody around them? Are you actually getting any real pleasure from the relationship, or are you just kidding yourself that you're having fun?

At the point you start asking yourselves these questions, you’re also probably trying to find an answer to them….just to make sure you haven’t actually gone insane. Google becomes your best friend as you start reading up on Narcissistic Personality Disorder and the various articles make you realise that you have been trapped into a world you didn’t believe you were stupid enough to be dragged into.

Phrases like “gaslighted” are used. I’ve seen the play Gaslight from which the term derives from…surely not? I’m savvy…aren’t I? I couldn’t be manipulated like that…or could I? Why would I befriend someone like that? Algorithms point to an interesting book, you buy it and as you read it you realise it's about you and how you managed to fall down the rabbit hole so easily.

The problem is trying to establish what is normal human behaviour and what is narcissistic behaviour. This book tries to unravel this question by looking at who narcissists are and to whom they are most likely to target and why. If you can understand the core of the problem, you are better equipped at dealing with it and ensuring you are not the target of other narcissists in the future.

Murder on Mulholland Drive, Theatr Clwyd (Mold)

OK, let’s get this straight from the start, this is not a stage version of David Lynch’s strange neo-noir 2001 film starring Naomi Watts. 

Mulholland Drive is a road that stretches 21 miles in Southern California, USA, which takes in scenic views of the Hollywood sign, Los Angeles Basin and the San Fernando Valley. It has some of the most famous and expensive houses in the world and is home to several Hollywood celebrities; and it makes the perfect setting for an Agatha Christie style whodunnit!




Who Killed Houston Ziegfried McCoy?

Murder on Mulholland Drive is a murder mystery play written and starring Richard Jones of Pheonix Theatre Company, Mold, a familiar name to those who frequent Theatr Clwyd. Set in the 1950’s, it is a cautionary tale of what could happen to a sleazy, middle-aged man, who happens to be head of one of the most powerful film studios in Hollywood. Houston Ziegfried McCoy has helped many hopeful starlets achieve their ambitions, but his methods have made him many enemies along the way.

An Inspector Calls, The Lowry (Salford)

Well my 2020 theatre season has commenced with a splendid big bang! The English novelist and playwright J B Priestly, wrote what is probably regarded as his most well-known drama, An Inspector Calls, in 1945. Surprisingly, the play was first performed in that year in Moscow; the first performance in English took place in London the following year. It stood to reason that a cinematic version would follow and in 1954 Alastair Sim took on the role of the titular inspector. It is a contender for one of my favourite films of all time and whilst other film versions have been made, the original version remains the best in my humble opinion.


In 1992, Stephen Daldry decided that his directorial debut at The National Theatre, London, would be this old warhorse of a text. Was this to be a stroke of genius or professional suicide? Most productions of An Inspector Calls, which is set in 1912, would take place in a reconstructed, historically accurate Edwardian drawing room, complete with period furniture and heavy on the crystal decanters etc. Those productions subconsciously take you back to a past era, but the issues back then are still affecting modern audiences; probably more so now with the advent of technology and the inability to “get away from it all,” so how do you keep the feel of the original play, but make it relevant for a modern audience?

Instead of keeping with tradition, Daldry changed the setting to 1945, when the play was written. He had such a fresh, imaginative approach to the staging of An Inspector Calls, that the traditional boring drawing room drama seems to have died out. I’m thrilled that I can now say that I’ve experienced his visionary production, including Ian MacNeil’s house on stilts, first-hand. 

Given the Boot

As people wave a fond farewell to 2019, I for one will be celebrating its departure with great gusto. I thought 2018 was a trying year; my father-in-law lost his valiant battle with cancer and supposed close and trusted friends needed to be disposed of. It transpired that 2019 had much of the same in store. My beloved cat Gerrard and a close friend both passed from Leukaemia; there was another “friend” who I had to let go of and with the demands of watching someone close battle with dementia, my resilience waned and I reached the stage towards the end of August where the time and demands of writing the blog became untenable.

I became fed up of all the toxicity surrounding me, I knew from previous blog posts throughout last year and this one it was starting to eat away at me and the best way to deal with such things is to go to the source of the problem…cut whatever is making you unhappy and angry off, and concentrate on moving forwards with things that bring joy to the soul. Instead of reading the nonsense on Twitter and Facebook that aggravates me, I turned to spending what precious time I had, rummaging through my bookcase and settling down with a good book and a pot of tea!

The Horror of Philosophy - Eugene Thacker


philosophy
/fɪˈlɒsəfi/
noun

1.    the study of the fundamental nature of knowledge, reality, and existence, especially when considered as an academic discipline.

2.     a theory or attitude that acts as a guiding principle for behaviour.



horror
/ˈhɒrə/
noun

1.     an intense feeling of fear, shock, or disgust.


      • a literary or film genre concerned with arousing feelings of horror.
      • intense dismay.

The world is becoming an increasingly strange place. People take things and each other for granted. We live in a world where everyone is striving for material objects not worth having. Since when did the horror of living in the modern world overtake the horrors of the fictional world?

November 2015. I travelled to Newcastle Comic Con to meet Tom Burke. A couple of weeks earlier I had stumbled across a duology of books called “Tom Burke of Ours” and to this day Tom has read more of those two books than I have. The first book commences with a letter written by the titular character Tom Burke. I thought it would be fun to get actor Tom to sign the page as though he had written the letter. 

Books have always formed a huge part of my life and the “Tom Burke of Ours” books were an instant ice-breaker. I asked Tom if he would recommend any interesting books he’d read (nothing wrong with expanding your reading genre.) He looked at me and asked if I ever went to dark places. 

It seemed a strange thing to say, but I do love dark places, they are thought provoking. Age 13 I painted my bedroom various shades of battleship grey and marked out brickwork like an old castle with ivy and moss painted on the brickwork…my dad was not thrilled! I grew up listening to The Cure and The Sister’s of Mercy and was entranced by Tarot cards. As I nodded to Tom, I remembered the circle of people I was with. They had their own opinions about “the dark side” and they weren’t positive. 

I quickly stuttered, “well, you know, just as much as most people do”…I didn't want anyone thinking I was suicidal or in a deep dark depression or the person to be avoided at all costs. As it happened Tom recommended two books to me, one being The Conspiracy Against the Human Race by Thomas Ligotti. It was an interesting book, although it made my head hurt and I needed to keep referring to the internet for further explanation. At some point, I’ll read it again, but on the back of that one book, I bought a trilogy of books by Eugene Thacker, of which Ligotti wrote:

“Thacker’s discourse on the intersection of horror and philosophy is utterly original and utterly captivating…In the Dust of This Planet is an encyclopaedic grimoire instructing us in the varieties of esoteric thought and infernal diversions that exist for the reader’s further investigation, treating to a delightful stroll down a midway of accursed attractions that alone are worth the ticket of this volume.”



In the Dust of This Planet – Horror of Philosophy Vol. 1 by Eugene Thacker.

“The world is increasingly unthinkable – a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book, Eugene Thacker suggests that we look to the genre of supernatural horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the absolute limit of our ability to understand the world in which we live – a central motif of the horror genre.”

In the first book, Thacker uses philosophical arguments to explore our increasingly destructive world by introducing various themes such as occultism, demonology and mysticism and seeing how they manifest themselves in fiction, comic books and film. Care is taken to show the arguments are not about the philosophy of horror, but the horror of philosophy; in which he reveals the constraints and limitations in the field. He argues that one of the biggest problems we face today is trying to comprehend a world in which we live both a human and non-human existence.

My Head is Disconnected - David Lynch Exhibition @ Home Theatre - Manchester

29th August 2019, Home Theatre, Manchester, held a preview screening of Tom Burke’s latest film The Souvenir, followed by a Q&A session with Tom and director Joanna Hogg. Whilst I’d already seen a preview in July, I thought the Q&A would herald some interesting insights into the film, so I decided to go along and watch the film again.

Whilst waiting for the film/Q&A, I noticed that there was a David Lynch art exhibition being held. Unfortunately there wasn’t enough time for me to visit the exhibit that night and to be honest, I knew nothing about David Lynch, other than Twin Peaks, a TV programme I loved back in the 1990’s!

Here was an opportunity to get inside the mind of the visionary TV & film director, and as I was about to find out, artist. The exhibit featured approximately 88 of his works dating from the 1960s to some of his current pieces. At the Q&A, I flicked through some postcards and thought the works might need, not explaining exactly, but maybe I required a bit of an insight into the artist himself to make the most of his work. I located a curated tour on the 28th September, the day before the exhibit ended. I booked a ticket to the tour for me and my mate and a full day of culture was planned around it…David Lynch exhibition, Dinner at The Ivy, followed by Macbeth at the Royal Exchange.

David Lynch graduated from the Pennsylvania Academy of Fine Arts, with a body of work which encompasses painting, sculpture, drawing and photography from the past five decades. Although he might be better known for producing films such as Blue Velvet, Mulholland Drive and The Elephant Man, he is foremost an artist, not just a film maker who dabbles in art as a hobby. This collection provided an interesting look at both the man, and an exploration into his mind, where everyday life can be transformed into dark, chaotic images which re-examine the world in which we live.

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